Here is a funny subject and civic engagement, with regard to defending the ideas of Justice, Liberty, Universalism and humanity through the case of a army officer. This is the man she wants to talk and not military, "said Pierrette Dupoyet signing this piece.
(...) The play revolves around the suffering of Dreyfus. These sufferings are twofold. First psychic since the plot against him, became a scapegoat because of his surname, is coarse, brutal, despicable and humiliating, where one goes so far as to suggest suicide. Then, now come in addition to physical suffering because its jail on Devil's Island, we do not just deny an air and light. We end the torture.
The merit of the piece is to remember the human side of this tragedy and allow to approach the life of the concrete and the interior, and thanks David Arveiller that embodies the strength of character of Dreyfus, his energy, his hope, his humanity, his modesty and sincerity.
is all but useless, because today it retains most of the Dreyfus affair heroes acting out, especially Zola. For posterity we are, therefore in the collective memory, Dreyfus does not exist as an individual. The hero of the case is called Zola. Dreyfus has gone from being a man to the status of a case. Then, the piece recalls that Dreyfus's rehabilitation has been no end of punishment. His humiliation continues when the government declares that "the incident is closed" (...)
Thomas Hahn
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